A Hall of Mirrors

In an age when every visual and informational production is put under the microscope of truth, when conspiracists and whistleblowers share the same platforms, what is the artist’s role in pursuing, accumulating and disseminating facts?

Drawing on film noir tropes while deploying visual essayism as an investigatory mode, Miles Rufelds reconciles authenticatory images with deceptive illusions around a legendary figure of experimental film.